Life and Times of Leading Cardiologists: Patrick O'Gara
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Life and Times of Leading Cardiologists: Patrick O'Gara

E. Magnus Ohman, MD; Patrick T. O'Gara, MD

Disclosures

November 30, 2015

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Promoting Professionalism in the ACC

E. Magnus Ohman, MD: Hello. I'm Magnus Ohman for Duke in North Carolina, and welcome to another episode of the Life and Times of Leading Cardiologists. I'm very fortunate today to have a good friend, Dr Pat O'Gara, former president of the American College of Cardiology, professor of medicine at Harvard, with us today. Welcome, Pat.

Patrick T. O'Gara, MD: Thanks very much, Magnus. I appreciate it.

Dr Ohman: Most people who went to the American College meeting this year said, "Wow, we haven't focused on professionalism and what an important aspect this is to being a doctor before." How did the topic of professionalism come up at the meeting?

Dr O'Gara: That's a very interesting question. I think that it came up in two ways. One was that the College actually performed a historical review and recognized that it has not officially ratified the Articles of Professionalism[1] that had been published by the American College of Physicians and the American Board of Internal Medicine Foundation more than 10 years ago. I think that was a very impactful white paper that was put out by those groups as well as a primary care group and a group from Europe with respect to the essentials of professionalism in the medical field.

Very prominent leaders authored this, including Troy Brennan, who has had many leadership roles over the years in medicine. And so, this was an opportunity for the American College of Cardiology to revisit what constitutes the essentials of professionalism and especially during a period of time when it seems as if there has been an assault on professionalism, whether you are a clinician, academician, or a researcher.

I think that the concern from a societal level has risen that perhaps we, as physicians, are not to be trusted, and it's a terrible feeling, isn't it? To have worked as hard as you have, as your colleagues have, to establish what you think is credibility and what you think is a genuine interest in doing the right thing for your patients, but then having to balance that against these sensationalist stories about members of our ranks who seem to misbehave; and then we are all painted with the same brush of suspicion and doubt and accorded somewhat less respect than we think otherwise should be the case. From the College's perspective as well as from a personal perspective, the timing seemed to be right to attempt to rebalance the equation, so to speak.

First, we had to admit that we feel strongly about the Articles of Professionalism, just as we feel strongly about doing what's right for our patients; and I felt that it was an opportune time to attempt to convince the doubting Thomases as well as our public and our patients that we as physicians, as academicians, as researchers, as health administrators are very serious about trying to do the right thing. It's probably not more complicated than that.

Dr Ohman: In your professional life, was there a point that you said that professionalism is an area that fascinates you, that brought you to realize that this is an area the College hasn't focused on? Or was this more of a gradual process?

Dr O'Gara: I think it was more of a gradual process than an epiphany. In my observations and interactions with people across a wide spectrum ranging from trainees to seasoned clinicians to patients to patient advocacy groups to Congress and to all sorts of folks in between, I became concerned with the fact that we were no longer seen as a trustable profession to the extent that we were before. Rather than strike out and say, well, you have it all wrong or adopt a defensive posture, I think that we can do a great deal to restore some confidence in ourselves as well as other members of our profession with respect to making sure that we actually execute the highest ideals of patient care. For the vast majority of us, that is our mantra.

Beginnings in a Suburb of Chicago

Dr Ohman: I totally agree. I think many of us wonder: How did Pat O'Gara become the person to carry this mantra? Where did you grow up? Where did your life start in the big picture?

Dr O'Gara: I grew up in a village called Wilmette, Illinois, which is about 20 miles north of Chicago on the shores of Lake Michigan. I grew up in a family of nine children and two parents in a house in the suburbs.

I had a parochial school education, at least until the eighth grade, at which point there were too many of us in the queue, and it was clear that I had to go to the public high school. I grew up in a family of very accomplished individuals who were self-sufficient and self-starters. It was a very fortunate environment in which to grow up because no one stood out. You could do well, but that was really the expectation. I don't recall that there were any asymmetric celebrations for one of the nine to the others of the eight. It's not as if everybody got a trophy, but it's as if there was a certain expectation, and you learned how to accommodate to a larger group. So, whatever individual accomplishments you might have were placed into a broader community perspective right there in the nuclear family.

Getting back to the parochial-public inflection point, choosing to go to the local public high school, retrospectively, over my 63 years, was the single best decision I have ever made. It helped me to socialize. It helped me to be challenged by my peers, to enter a much larger group and to see whether or not I could compete at that level. It was a terrific experience ranging from the academics to the opportunities for athletics, which I pursued at that particular age with a passion.

Dr Ohman: What was your sport?

Dr O'Gara: I played basketball and baseball. As you can see and as you know, I don't have much size. I like to say I was bigger then, but I'm not really sure I was. But I was able to play in the 1960s and 1970s, when there were fewer people twice my size competing at the same event. Those were wonderful experiences that really gave me the opportunity to compete and to determine whether or not I could stand on my own. After graduating from high school, I went to Yale University, where I played baseball for an additional 4 years, and that was one of the defining aspects of my college career.

An Inspirational Art History Teacher

Dr Ohman: What did you study as an undergraduate? I presume that was your first visit to the east coast.

Dr O'Gara: That was my first visit to the east coast. It's interesting to compare the experiences now when sending children off to college against the experience of 45 years ago when people were sent off to college with a suitcase and a handshake and told good luck.

Yale was a very different environment from any that I had previously experienced. I studied molecular biophysics and biochemistry, but I chose to do a bachelor of arts rather than a bachelor of science, so that I could have some more time to take advantage of the more liberal aspects of a Yale education and the strengths that they have in fields ranging from art history to history to English to political science to drama and all of the other things that are in a liberal arts education.

Dr Ohman: What in the liberal arts sphere actually attracted you the most?

Dr O'Gara: I have to say that thinking back on it, and I'm sure you'll appreciate this, you don't remember all of the aspects of what happened. But what I remember most strikingly about the nonscientific aspects of my undergraduate education was a gentleman whose name was Vincent Scully, not Vin Scully who is the radio voice of the Los Angeles Dodgers and before that the Brooklyn Dodgers. He taught art history at Yale and without question inspired in me a sense of what I thought was greatness in teaching, and I was just becoming old enough to understand the difference between a good teacher and a not-so-good teacher. By that time, I was a senior in college and thinking a little bit more about what the future would be once I stepped out of the confines of the bubble of being a college undergraduate.

He somehow was able to instill in his students, whether they were undergraduate or graduate students, a sense of joy, investigation, and being able to understand more than just the architectural aspects of a picture and more than just a sense of the lines of sight that somebody might decide would be important when renovating an urban environment. This package of history and literature completely took me by surprise and gave me the sense that there is so much more to learn, if only we had the time to pause to understand the richness that surrounds us.

Back in the days well before PowerPoint presentations, he was a dramatic lecturer who carried around a pole that probably was about 10 feet high; and he used to smack the projector screen to point out various aspects of how the temples to the gods were sited on the Mediterranean Sea and what was happening with the Peloponnesian War and things of that nature. It was just fascinating. Just a real discovery for me.

Dr Ohman: How come you didn't go into art history?

Dr O'Gara: That's a good question. I think that if I had to judge myself, I would say that my right brain is deficient; and my left brain, by contrast, had always been focused on science, biology, and mathematics. I had initially thought that I would pursue a degree in math and then try to become a teacher and a high school baseball coach, but that didn't work out.

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